#ReadWithoutPrejudice

Recently, publisher Hodder & Stoughton distributed a book with no title, no cover and no author, to reviewers and publishing folk alike. The only words on the cover of the book: #ReadWithoutPrejudice. This was an incredible marketing campaign for many reasons, the most important one being that the entire message reflected that of the story inside. This book was written by an author that I have never read before, and now that I’ve finished it, I’m so glad that I was saved the preconceptions of knowing.

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Ruth Jefferson is a labour and delivery nurse at a Connecticut hospital with more than twenty years’ experience. During her shift, Ruth begins a routine check-up on a newborn, only to be told a few minutes later that she’s been reassigned to another patient. The parents are white supremacists and don’t want Ruth, who is African American, to touch their child. The hospital complies with their request, but the next day, the baby goes into cardiac distress while Ruth is alone in the nursery. Does she obey orders or does she intervene?

Ruth hesitates before performing CPR and, as a result, is charged with a serious crime. Kennedy McQuarrie, a white public defender, takes her case but gives unexpected advice: Kennedy insists that mentioning race in the courtroom is not a winning strategy. Conflicted by Kennedy’s counsel, Ruth tries to keep life as normal as possible for her family—especially her teenage son—as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other’s trust, and come to see that what they’ve been taught their whole lives about others—and themselves—might be wrong.

With incredible empathy, intelligence, and candour, Jodi Picoult tackles race, privilege, prejudice, justice, and compassion—and doesn’t offer easy answers. Small Great Things is a remarkable achievement from a writer at the top of her game. 

29391645‘It just goes to show you: every baby is born beautiful. It’s what we project on them that makes them ugly.’

This story is about so, so much. You may think you are accepting and open-minded. You may also think that you are not racist; you might think you understand white privilege and prejudice that rears its ugly head in many forms. But in Small Great Things, Jodi Picoult teaches us that there is so much more to it than we realised.

In the biggest literary risk she has ever taken, Picoult has successfully tackled an extremely sensitive and relevant topic, and has executed it beautifully. I finished this book questioning many things, specifically the way that I think about history and the way that I think about race. To understand another fully, you have to put yourself in their shoes. Jodi Picoult places us in Ruth’s shoes so brilliantly, I failed not to be touched by her life and her experiences. She was an incredible character, and I felt every heartbreak, disappointment and injustice through Picoult’s vivid and clever writing. It is a whole week since I closed the book, but I still cannot get our protagonists story out of my head.

Small Great Things was a remarkably powerful read, but hard going at times. I found it difficult to read the chapters from Turk Bauer’s point of view, but I believe this was entirely the point. Picoult has really done her research, and the novel, as a consequence, rang shockingly true and heart-breaking. She wants you to be uncomfortable; she wants you to question the blasé way racial profiling is brushed off by the courts, and she wants you to understand the way that it truly feels to be judged by the colour of your skin, rather than your talent or accomplishments. Matters such as white privilege, white supremacy, generalised racism, and the often unmentionable effects of this kind of prejudice are brought to light in a realistic, raw and cleverly crafted way.

small great things 2Reading this book was an incredible experience in itself – my heart was in my mouth most of the time. The story was insightful, brutally true, heart-breaking, and unjust, and uncovers the unfair and often invisible plight of many. Jodi Picoult has successfully brought to light the cause and effect behind racial profiling and the huge difference between equality and impartiality. The authenticity was outstanding and this truthful tale has left me with an entirely more informed and opened mind. This story teaches an extremely relevant lesson to never judge a book by its cover, in every sense – a mantra we should remember in the way we treat others every single day.

 

Mini Review – milk and honey by Rupi Kaur

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milk and honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss and femininity. It is split into four chapters, and each chapter serves a different purpose.

Rupi Kaur has achieved a mean feat with this book – it is the first and only book of poetry I have read from start to finish. It captivated me. It was effortless, unapologetic, strong, feminist and empowering.

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It is extremely difficult to try and review this book because every single poem is so personal, and tender, and significant in its own unique way. If you only read one book of poetry in your entire life, I urge you to read this one. It is such a sad, amazing and heartbreaking little book. It touches on all aspects and potential experiences of womanhood, through the form of a break-up – abuse, femininity, inner strength, insecurity, love, and grief.

‘You have sadness living in places sadness shouldn’t live.’

Rupi Kaur’s words are written for her – this is obvious in every line, every utterance, every chapter of the book, as her poetry develops and grows and heals and remembers. But it also manages to make you feel something powerful yourself – her stories are amazingly relateable, and her poetry is addictive, thought-provoking, and very, very personal.

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Book Review – One by Sarah Crossan

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Grace and Tippi. Tippi and Grace. Two sisters. Two hearts. Two dreams. Two lives. But one body.

Grace and Tippi are conjoined twins, joined at the waist, defying the odds of survival for sixteen years. They share everything, and they are everything to each other. They would never imagine being apart. For them, that would be the real tragedy.

But something is happening to them. Something they hoped would never happen. And Grace doesn’t want to admit it. Not even to Tippi.

How long can they hide from the truth—how long before they must face the most impossible choice of their lives?

One is a beautiful story about 16-year-old conjoined twins, Grace and Tippi, that really got me to thinking about a way of life completely different to anything I am used to. It is a story that reveals what it means to have a soul mate – albeit not in the traditional sense of the word. The entire novel is written in beautiful, flowing verse that had me in tears and it will remain one of the most poignant stories that I have read this year.

Tippi and Grace have been by each other’s side since birth. They are conjoined from the waist down, and have lived their entire lives sharing every single moment. Having always been home-schooled, they now must attend the local private high school as juniors and face the possibility this brings of staring, disgust, ridicule and judgement.

However, they grow to enjoy normal school life more than they expected, and even make some friends. They smoke, they drink, they go on a road trip – they experience the normal teenage life they have never had the freedom to live before. The normal complications of love, boys, privacy, family drama and angst are discovered through a totally new perspective. When Grace’s health worsens and becomes life-threatening, the twins have to decide whether they wish to be separated for the first time in their lives – the outcome of which will bring a series of devastating physical, emotional and psychological impacts.

I have never read a YA book like this – it was incredibly life-affirming and powerful. I felt that it was extremely clever for Sarah Crossan to write the twin’s tale in verse, because she showed that a story can be deeply moving and hard-hitting, with just a few words. The use of verse also made the novel incredibly easy and free-flowing to read – I finished it in one sitting; in a matter of hours and I found that the words just swept you up completely in their stark, simple poetry. This way of writing created a distinctive and magically profound voice that I feel would have been impossible to replicate with normal prose.

I also found it interesting that the author chose to pen the story through only Grace’s perspective, rather than both the twins. Tippi tended to control all situations and decisions so it was effective to read the story from the shyer and less-dominant twin’s viewpoint.

In summary, Crossan has achieved a powerful, heartfelt, and deeply moving novel that explores the true meaning of the word sisters. The enormous amount of research into conjoined twins was apparent and it read as factually accurate, but also emotionally hard-hitting. It was amazing to read something that perhaps I wouldn’t normally pick up. It is the first time I have read a novel written in verse, and I am glad to say it worked perfectly. I think the writing structure contributed greatly to the meaning and significance of the story. Grace and Tippi’s is an emotionally deep tale that is all at once lovely, shocking and utterly heartbreaking.

One is like nothing I have ever read before, and is a unique and poignant exploration of friendship, sisterhood, strength, soul-mates and love.

Book Review – The Long, Hot Summer by Kathleen MacMahon

The Long, Hot SummerNine Lives. Four Generations. One Family. The MacEntees are no ordinary family.
Determined to be different from other people, they have carved out a place for themselves in Irish life by the sheer force of their personalities. But when a series of misfortunes befall them over the course of one long hot summer, even the MacEntees will struggle to make sense of who they are.
As media storms rage about them and secrets rise to the surface, Deirdre plans a family party for her 80th birthday-and with it one final, shocking surprise.
 

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‘Relationships between men and women are about power. It’s all about the balance of power, and if you can’t get that right, then it’s a fight to the death.’

The Long, Hot Summer is an insightful, poignant and funny novel about the intricacies of real life. It covers everything from abortion, to adult relationships, mother-daughter complexities, theft, to politics, childhood, and how our experiences truly do shape us.

I loved MacMahon’s writing style – it is easy flowing and swallows you up whole. She has a real talent for writing descriptive prose, and it was so enjoyable to read, that I found I could not stop reading it. When I wasn’t reading it, I was thinking about the characters, and their lives, and their individual stories. The author has a great ability to humanise even the coldest, and most unfeeling characters; I wanted to sit down and interview each of them!

The novel as a whole was incredibly insightful; MacMahon’s perceptions of the everyday are funny, poignant and sometimes, cynical. Each character experienced some sadness, and MacMahon’s interpretation of their experiences invoked a strong feeling of loneliness, yet there were other moments that were surprisingly life-affirming. I felt that she added unexpected insights into extremely normal topics, such as marriage, families, politics, etc. that I hadn’t really thought of before. I particularly loved that the strongest characters are revealed to be the most vulnerable.

The characterisations are great, and although none of them are really likeable, you find yourself warming to them. I loved Alma and Mick particularly – their stubbornness, but also their small, unspoken weaknesses that made them so real. The tragedy that strikes Alma changes her immensely and it was so intriguing to see how her character develops through this. Mick’s storyline was also great, and very, very funny – his mild kleptomania with the crippling consequences, and the fact that he is constantly compared to his brother, was amusing and revealing. I felt that perhaps he was the kindest character, and I liked him the most.

All the characters felt real, in some way, to me. They were very relatable in many different ways and had very humanistic flaws and weaknesses. There was no perfect protagonist, and I think this was why the story worked so exceptionally well. The novel split itself between the family, going from one point of view to another. I loved the structure of the story, written around all the different characters in the same family, all extremely unique, all on very different journeys, but somehow all also meeting up at one important moment in their lives.

I felt that this novel had great depth; it is a strong tale that weaves together the individual stories of many. It was compelling, moving, insightful and funny. The incredible character-based narratives are told with wit, and astute observation, and MacMahon has a great talent for putting normal relationships under the microscope and making warm, funny, and very, very truthful observations. The Long, Hot Summer is the perfect read for fans of family sagas, and Irish writers such as Marian Keyes and Maeve Binchy.

Thank you to Little, Brown for the opportunity to review this title!

Book Review – Always With Love by Giovanna Fletcher


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Sophie’s got used to being the girlfriend of Billy Buskin, the biggest movie star in the world. Sort of.

But when she and Billy take a trip to visit his family in Los Angeles, she quickly discovers she’s totally unprepared for the chaos of Hollywood, the paparazzi and Billy’s controlling mother. And when Billy extends his stay in LA, leaving Sophie to fly home to Rosefont Hill alone, it seems there’s more than just miles between them.

Now Sophie must decide if they can overcome their differences for good. Because not every love story lasts the distance . . .

I received this book for free from the publisher via Netgalley. Thanks to Penguin and Michael Joseph for allowing me to review this title!

Always With Love is Giovanna Fletcher’s fourth novel, and like all her others, it was heartwarming, light and lovely. It was delightful to hear more about Sophie and Billy, but I believe it would have been just as good a read even if I hadn’t read her first book, Billy and Me.

Sophie is a great protagonist, with real life vulnerabilities and worries, and this really helps the reader to relate to her. I love the fact that she is so down to earth, and that she helps Billy to stay grounded. The contrasts between his life in LA and her life in the picturesque and homely Rosefont Hill, was a wonderful addition to the story, and I was never quite sure whether he would choose to lose himself to that lifestyle, or return home to Sophie. The conflict and questions that this created was what kept me reading to the end. I found myself really rooting for their relationship from the very beginning! At one point, I wasn’t sure if they would make it, and Giovanna cleverly keeps up this guessing game until the last chapter.

My favourite aspect of the story was Rosefont Hill. The imagery was idyllic and the setting just perfect – I would love to live in a village like this. Reading about Sophie’s life in Rosefont Hill, and her contentment to settle for a humble and un-glamourous living was so relatable for me; I really warmed to her, much more so than in the first book. I feel like her characterisation was well thought out and she developed into a more independent woman as the story progressed. Her situation of struggling in a long-distance relationship struck a chord with me and I feel that Giovanna was extremely successful in portraying the realistic ups and downs of this kind of relationship.

The only thing that brought this book down to four stars, for me, was the awful cliché that men and woman can’t be just friends. I didn’t understand what this added to the story. It was unneeded and the book would have been so much better without it. I felt that it was added in superficially to make it more interesting, but it didn’t really work. Luckily, it didn’t really take up too much of the plot and I was still able to really appreciate the novel as a whole.

Giovanna injects pure warmth and love into her writing, you can literally feel it pouring out of the pages as you read. Her stories make you warm and fuzzy inside – especially the descriptions of Rosefont Hill with it’s gorgeous little tea shop and small-town lifestyle. Sophie’s romance with Billy is also super sweet and spine-tingling. He has definitely become one of my favourite fictional heart throbs!

Overall, I really enjoyed reading Always With Love. It was heartwarming, funny and sweet. It was a charming story about real life relationships, the struggles of love, and the very important fact that home really is where the heart is.

Book Review – Uprooted by Naomi Novik

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‘Our Dragon doesn’t eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travellers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that’s not true: he may be a wizard and immortal, but he’s still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years.’

I was unsure about starting this, due to it receiving such mixed reviews; people seemed to either love it or hate it. Luckily, I absolutely loved it. It has to be the most beautiful book I have read this year.

Uprooted tells the tale of a clumsy, plain girl named Angieszka (pronounced Ag-Nyesh-Ka), who lives in a small village on the outskirts of a dark and dangerous wood. The village is protected by a wizard who goes by the name the Dragon. The Dragon lives in a tower close by and protects the village and surrounding areas from the evil, corrupted wood. Once every ten years, he comes to the village and picks one girl to live with him in his tower for ten years. Nobody knows what happens to them whilst they are there, but it ultimately changes them, and they often decide not to return to their families.

Agnieszka worries for her best friend, Kasia, who is the most beautiful girl in the village. Talented, clever and attractive, she has been trained her whole life to expect this moment. She is expected by everyone in the village to be chosen next by the Dragon. Everybody is therefore astonished when clumsy, plain Agnieszka is picked instead.

‘You intolerable lunatic,’ he snarled at me, and then he caught my face between his hands and kissed me.’

Agnieszka is an incredible protagonist – relatable, funny, good natured, kind and strong. Her relationship with the Dragon; their disagreements, stubborn compromises and the journey they travel together are what make this story so special. Their gradual development into something more than friends is very slow going, but in a good way. Novik writes excellent love scenes that literally take your breath away. Their feelings for one another were portrayed subtly, understatedly, yet perfectly seductive, proving just how a good the writing is.

The writing style is magical. The main aspect of the story obviously being, well, magic, I was delighted to find that the prose reflected that in its entirety – it was whimsical, lyrical, unique, and the imagery created was absolutely beautiful.

‘There was a song in this forest, too, but it was a savage song, whispering of madness and tearing and rage.’

The Wood is fantastically nightmarish and creepy, and it plays its part well as the villain of the story. It stands as an ever-present, silent threat, occasionally swallowing villagers, driving people mad, or sending terrible monsters to destroy neighbouring villages. I don’t want to go into this too much as I don’t want to spoil anything. But, this book is so, so worth reading if you love fantasy, fairy tales and stories about magic.

I love fantasy that is based on folklore, and Novik cleverly roots her novel in the mythology of Eastern Europe; the story feels ancient and enticing. Just like reading an old fairy tale, this novel effortlessly recreates the familiar magic of all my childhood favourites – I felt wonderfully at home whilst reading this. You get the magic, the monsters, the wizards and the princes, but never in the way you might quite expect. Novik goes against all expectations, and nothing is as it seems.

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Book Review – The One We Fell in Love With

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Phoebe is caught between a rock and a hard place. Settle down and get married, or return to the French Alps to pursue her passion?

Eliza is in love with someone who is no longer hers. In fact, he probably never was… And her dream of becoming a musician seems to be spiralling down the drain.

Rose is out of a job and out of a boyfriend. To make matters worse, she’s been forced to move back in with her mother…

But these very different girls have one thing in common. Angus. The one they fell in love with…

I am a huge Paige Toon fan, and have been ever since reading her first release, Lucy in the Sky, back in 2007. Her books are often heart-warming, tear-jerking and poignant, and full of lovable and relatable characters. The One We Fell in Love With is no different – it might just be her best book yet.

Gosh, this book was just lovely, lovely, lovely. The story was addictive and easy to read, and I devoured it in one sitting. I couldn’t put it down for anything – I stayed in the same armchair all day, my eyes glued to the pages!

The story arc was perfectly choreographed. In my eyes, it was the most original novel Paige has written so far. It was so intriguing to read about triplets, and I was fascinated from the very first page. It was the first time that Paige has written from multiple viewpoints, and it worked amazingly. Each triplet had very unique personalities and their individual characterisation was extremely well distinguished.

I felt fully invested in the characters – especially Rose. I related to her so much. She is smart, sensible and wary and so much like me, I loved reading about her! Eliza and Phoebe were great too and the way their relationship dynamics were portrayed was clever and thought-provoking.

As usual, some of our favourite Paige Toon characters made an appearance, and it was lovely to have the inclusion of Lucy and Nathan in the end scene! Lucy in the Sky has always been my favourite – and Paige’s scene setting of Australia is always spot-on. She makes you long for the beautiful beaches and balmy weather. I also loved the descriptions of the French Alps and especially Jennifer’s Bakery that Rose works in – Paige never fails in her ability to vividly depict a scene!

This book had me thinking long after I’d turned the last page. I felt it was more emotionally mature than her previous novels, and I loved the family values that are built up and become prominent in the end chapter. The events throughout were emotional, and provoked many tears! I feel that Rose, Eliza and Phoebe’s lives were illustrated perfectly through Paige’s genius writing lens.

The One We Fell in Love With was heart-warming, uplifting, bittersweet, but charmingly happy too. I finished the book, and closed my eyes, just savouring that precious feeling you get after spending several hours lost in the midst of a story. Warmth spread through me as I read it – it was a beautiful story about subtle tragedy, love, and the strength of family.

My 3 Favourite Books About Feminism

A Room of One's OwnA Room of One’s Own by Virginia Woolf

‘When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.’

Every single woman should read this. I originally read it whilst studying for my Literature degree, and as a writer myself, it struck a chord and her words have stayed with me, always. It is the essence of Virginia Woolf herself, and I turn to it when I feel rejected, downtrodden, or if I begin to doubt that my work is good enough. This is Woolf’s homage to the spirit of heroines in history who may have written poems, novels, plays, stories, songs and ballads but were forced to remain anonymous as it was unacceptable for women to write. What if Shakespeare had an equally talented sister, but she could never have been as successful as Shakespeare himself because she was a woman, and woman were not allowed to write? She ends the essay by urging women and men to pick up their pen and write, and to banish the limits of gender identity and write with an androgynous mind instead.

the equality illusionThe Equality Illusion by Kat Banyard

Women have made huge strides in equality over the last century. And feminism is now generally considered irrelevant, or old-fashioned, or even embarrassing. But what about the fact that today women working full-time in the UK are paid on average 17% less an hour than men? That one in three women worldwide has been beaten, coerced into sex, or otherwise abused because of her gender?

This book is a few years old now, but is still one of the best books I’ve read about feminism today and the history of. The statistics and research are solid, and it explores the position of women in the UK in areas such as education, work, domestic violence, body image, sex and abortion rights. It’s entirely relevant and written concisely, cleverly and clearly. It’s a really good read, especially if you’re new to identifying as a feminist. It’s a great starter book and Banyard explains everything from grassroots feminism to current day, and how basically every single area of women’s lives are still affected by casual, deep-seated sexism. It’s the perfect book to get you really thinking about modern day feminism, and makes you realise that sexism is not dead. Banyard describes this idea that sexism no longer exists in our society as the ‘Equality Illusion’. This book is an invaluable feminist manifesto for the women of today.

SIsterhood InterruptedSisterhood Interrupted by Deborah Siegel

Contrary to clichés about the end of feminism, Deborah Siegel argues that younger women are reliving the battles of its past, and reinventing it–with a vengeance. From feminist blogging to the popularity of the WNBA, girl culture is on the rise. A lively and compelling look back at the framing of one of the most contentious social movements of our time, Sisterhood, Interrupted exposes the key issues still at stake, outlining how a twenty-first century feminist can reconcile the personal with the political and combat long-standing inequalities that continue today.

I found this book hugely helpful in sorting out all the confused and conflicting stereotypes I may have absorbed about feminism. It’s a great summary of second and third wave feminism and it gave me the knowledge to confidently explain the history of feminism to those who question the word and what it means. It lays out the history of the movement, covering the important events of the 60’s and 70’s, and continuing to present day. The most important thing I learned from this book is that feminism has never been a single, united force as some believe. It explains the entirety of the issues that have existed within feminism itself – the internal conflict over which fights are worth fighting, the best methods to coerce change, and what feminism actually means. There is no one type of feminism, and it isn’t about one single point of view all women who claim the label ‘feminist’ share. This book really teaches you that there are many different kinds of feminism, and that it’s okay to find your own place within the movement.

Book Review – A Court of Mist and Fury


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‘The power did not belong to the High Lords. Not any longer. It belonged to me – as I belonged only to me, as my future was mine to decide, to forge.’

It’s taken me a few days to think of the right words to describe this book. This enthralling, exciting, enraging and unexpected book with wonderfully authentic character development.

Firstly, I just want to say that a Court of Mist and Fury is SO MUCH BETTER than it’s predecessor. Mostly because Feyre’s characterisation is so outstanding, but also because the story is no longer just about love.

This novel is about self-discovery. It is about Feyre discovering who she is and what she wants. It is about the intrinsic ability that your experiences and adventures have to heal your heart. Through her adventures, she learns to embrace past pain, and learns to become a new, stronger person. She is not the stagnant character that so many similar lovesick heroines are. This time around, her characterisation is stunningly crafted. It makes the first book pale in comparison – it is worth reading if only to get to this stunning sequel.

In a Court of Mist and Fury, Feyre becomes more of the feminist heroine that I love to read. She grows up and realises that she is becoming a different person. And how could she not? I am so happy that Maas stayed true to Feyre’s character. How could she have gone through the events of the previous book and not have changed? And more importantly, how could she ever had stayed in love with Tamlin after the way he treated her? She might have needed him in the first book, when she was indeed a much weaker character who craved any kind of protection he could offer her. But at the beginning of the story, whilst trying to deal with what transpired Under the Mountain, she is emotionally unstable. Rather than helping her to heal, Tamlin ignores her pain like she is a silly little girl who will get over it eventually.

I hated Tamlin almost immediately at the start, which is a surprise since I had liked him in the first book, although his flaws never enabled me to love him. He was too weak, too controlling, and too much of a damn coward all the way through a Court of Thorns and Roses. This only gets worse in the sequel – Tamlin suffocates Feyre. Worse, he ignores her emotional wellbeing like it is something she is just going to snap out of. After reading this, and getting to know Rhysand and all the intricacies of his character, it makes me feel slightly sick to think that I ever liked Tamlin’s character. His and Feyre’s relationship dynamic was extremely shallow, weak and reminded me way too much of Twilight.

I absolutely adore Rhysand’s character. Oh my God, he’s so starry and dark and GLORIOUS. He lets Feyre be who she is meant to be. He sees value in strong women. He never once tries to stifle Feyre’s strength. Rhysand does everything in his power to help her, to heal her, to be her equal, most of which she is oblivious to until close to the end of the book. He keeps the truth of his feelings from her purely so she would be free to make up her own mind; decide the fate of her own heart. Most importantly, Rhysand never ever dismisses Feyre’s emotions to be unimportant.

Can we all just take a minute to appreciate that he made her a High Lady of the Night Court? Equality. That is what I love about Feyre and Rhysand’s relationship. He makes her his equal. He doesn’t lock her away like a delicate doll.

I feel like this stark contrast between the two male characters, and the substantiality of Rhysand’s characterisation when compared to Tamlin’s, is very deliberate. Throughout the entire first book we are never given even a tiny bit as much character building and background to Tamlin as we are for Rhysand. Overall, he is written so much more carefully, solidly and truthfully. You get to know him almost as much as you know Feyre. You learn his fears, his loves, his pain, and you feel them too. In comparison, Tamlin is completely two-dimensional.

Yes Rhysand is out-of-this-world starry, dark, strong, fearless and dangerous, but he is also incredibly selfless, thoughtful and… soft. Not only towards Feyre, but towards everyone he cares for. He sacrifices his entire reputation for his court. He values LOVE above all else, which is intrinsically feminist in my mind.

The slow-building, flirtatious sex that oozes through the book is so much better than the attempted (but not quite there) lust of the first one. It makes your heart stop a beat, your stomach erupt into butterflies, and your mouth drop open. It is cleverly interlaced into the plot, and Maas has learnt to make it more subtle than the shallow and unbelievable desire of the first book.

The romance is perfect because the story no longer revolves purely around it. It is built up by the events that transpire, and develops authentically as Feyre and Rhysand struggle through their own battles, together. It adds an extra dynamic to the story, but overall, they fall in love around everything else that is going on. Perhaps due to everything that is going on. They are common ground. They are one another. There is beautiful, solid substance to their feelings for one another, and you believe it totally.

The new characters are also amazing. They add depth to the story in a way that I don’t feel Lucian, as a secondary character, ever did. They are all extremely memorable and Maas definitely didn’t scrounge on their personal histories, making sure they were extremely interesting in their own right.

Her world-building is another aspect of the story that had me going weak at the knees. As you see the world through Feyre’s eyes, as she discovers her own power, her own importance, and her own place in the world now that Tamlin is no longer locking her away. The imagery of the Night Court and the hidden city within it is so spectacular, and definitely my favourite out of all the Faerie realms. The story arc surrounding Rhysand’s deep love for the court and his desperation to keep it from Amarantha’s destruction is clever, and unexpected. The twist that reveals him as Feyre’s mate is even better, and I loved his retelling of the events of the first book so much that I’ve read them over and over again!

To summarise, I feel that a Court of Mist and Fury was fantastical, seductive, enthralling, beautiful, heart-wrenching and empowering. I devoured it in one sitting, and I can forgive Sarah J Maas for the weak, male-dominated story that made up the first book, if only because it enabled this!

Vintage Charm… The Miniaturist, The Confectioner’s Tale and The Misinterpretation of Tara Jupp

I don’t believe there is any greater joy in the world than reading a book that makes you feel like you have stepped back in time. I love being swept up into the pages of a book that spills with authentic and imaginative vintage charm. The following books all depict different time periods, but they will always be my must-read texts when I want to escape to a world now gone by.

the misinterpretation

The sort-of-sequel to The Lost Art of Keeping Secrets (a book pushed upon me perhaps ten years ago by my mum, urging me to read it), The Misinterpretation of Tara Jupp is a warm, nostalgic period novel set in the 1960’s. I don’t remember much of The Lost Art, except for the fact that I enjoyed it in the way that you enjoy a hot cup of tea and a couple of digestive biscuits. It warmed you from the inside, and you felt as though you were experiencing the events first hand, wishing desperately that you lived in that time period and were friends with these fantastic characters. In the Misinterpretation of Tara Jupp, Rice excels in her natural ability to set a scene both magically and realistically. The story starts in the rural West Country and follows Tara as she begins a singing career, moving to London, falling in love with a photographer, being shown off at Chelsea parties, even dancing on tables at the Marquee Club on the night of the Stones’ debut… Rice perfectly captures that feeling of being seventeen and having the whole world on your doorstep. She has a real gift for evoking a nostalgia-tinged rural childhood, the quaintness of the first and last county in England in the fifties, and the excitement and pure rock-n-roll lifestyle of London in the swinging sixties.

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This book is so spectacularly vivid and deliciously detailed. Romance laces every word in a way that makes your heart skip a beat, and the imagery just makes you want to run straight off to Paris, visit a Patisserie and eat every single beautiful creation described. The Confectioner’s Tale tells a love story of two kinds. Set at the famous Patisserie Clermont in Paris, 1909, but told eighty years later through the eyes of Padra Stevenson, researching a photograph she found of her grandfather, the words ‘Forgive me’ written on the back. Her discovery leads her to reveal a mysterious, bittersweet and evocative story about two star-crossed lovers. The writing is what makes this book so infinitely special. It is mouth-watering, literally. The romance of the Parisian setting makes your heart burst.

The Miniaturist

The Miniaturist is set in seventeenth century Amsterdam, and tells the story of eighteen year old Nella Oortman who, after an arranged marriage to an illustrious and mysterious merchant trader, comes to the bustling city to begin a new life. Her loneliness and desolation is what struck me hardest, as she is left in the home with her husband’s cold and enigmatic sister. Her life changes when her husband arrives home with a gift – a beautiful cabinet dolls house. She is offended, seeing it as a toy for a child, but resentfully orders custom-made pieces to fill it. Amongst the objects that arrive from the elusive Miniaturist are items such as a tiny scrap of marzipan that makes people sick to the soul, and the miniature betrothal cup that was missing from her wedding. More things begin to arrive for the cabinet house, eerily life-like, and ominously attuned to the things that happen under her roof. This story is all at once horrible, and lonely, but beautiful too. Perfectly polished and mysteriously compelling, The Miniaturist is definitely a tale that takes you out of your own era and right into the heart of a city of hidden opulence and devastating secrets…