The Hourglass Factory by Lucy Ribchester
Published: January 15th 2015 by Simon & Schuster Ltd
Genres: Historical Fiction, Mystery, Feminism
Pages: 504
Source: Goodreads
The year is 1912 and London is in turmoil…
The suffragette movement is reaching fever pitch but for broke Fleet Street tomboy Frankie George, just getting by in the cut-throat world of newspapers is hard enough. Sent to interview trapeze artist Ebony Diamond, Frankie finds herself fascinated by the tightly laced acrobat and follows her across London to a Mayfair corset shop that hides more than one dark secret.
Then Ebony Diamond mysteriously disappears in the middle of a performance, and Frankie is drawn into a world of tricks, society columnists, corset fetishists, suffragettes and circus freaks. How did Ebony vanish, who was she afraid of, and what goes on behind the doors of the mysterious Hourglass Factory?
From the newsrooms of Fleet Street to the drawing rooms of high society, the missing Ebony Diamond leads Frankie to the trail of a murderous villain with a plot more deadly than anyone could have imagined..
The Hourglass Factory is set in my favourite historical era and I am just slightly obsessed with the Suffragettes. There is a lot of hype surrounding this period in history at the moment, which I imagine is all due to the release of the movie Suffragette, which will be in cinemas this coming October. This is the only reason that I picked up the book to begin with, along with the stunning front cover, which was hard to miss! I read it in two days, and it is definitely one of the better books I have read this year.
You spend the majority of the story travelling around 1912’s London with Frankie, the strong female protagonist, on foot, and this creates plenty of opportunities to visualise the society of the time and how it would have been. Ribchester is successful in creating very realistic imagery that truly leaps out the page, and the reader can almost witness every sight, smell and noise that is presented to Frankie in her travels and tribulations. The period clothing, Frankie’s trouser suit and cigarettes, along with Ebony’s corsets really add an intricate detail to the historical aspect of the story. It made me want to jump into the pages; I love this particular era so much!
I thought that a third person narrative throughout the novel was perfect, and switching from Frankie to DI Primrose kept me engaged and eager to turn the pages, offering me two points of view on the suffragettes and the crimes they were involved in. At times, I was so hooked that I couldn’t put it down, literally! I kept myself up until ridiculous o’clock in the morning to find out how it was all going to pan out.
Frankie is impulsive, impetuous and stubborn. When she’s knocked down she’s not deterred but keeps on fighting. She’s sharp, clever, observatory, smokes cigarettes and wears trousers. But she is also a substantially realistic character as she has unlikeable characteristics and you do not always agree with her decisions. I think Milly, the snake dancer at Jojo’s Bar who develops into a pretty central figure, was definitely my favourite character, and I would have loved to have found out even more about her. I would certainly read a sequel if it was based on her life!
It was the mysterious aspect of the plot that kept me turning the pages. Every step and character was filled with intrigue, from our first meeting with Milly, to Olivier Smythe, the Parisian Corsetiere, to Ebony’s disappearance and beyond. Whilst reading, you get the feeling that the only character you truly know is Frankie. The imagery during the pivotal scene was excellent. It was full of action and excitement, and was perfectly fast-paced. I appreciated the switch between DI Primrose and Frankie’s journeys, and it was interesting to see how the Police apparently reacted to the Suffragettes. I also loved the insight into prison life, with the force-feeding of the male suffragette. Ending the story on the Derby Day that Emily Davison was killed was a perfect way to finish, although it threw me a bit when it was suggested that the three of them hadn’t all kept in touch.
My only problem was that it was, more often than not, historically inaccurate. This was made up for by the interesting storyline, and Ribchester acknowledges her own inaccuracy at the start of the book. However, I definitely feel that it would have been better if she had undertaken more thorough research to make it historically factual. I also found the journalist Frankie slightly too irritating for a protagonist. As much as I loved the story, I didn’t particularly love her.
Overall, the story was richly imagined but wasn’t too heavy, and it remained light-hearted and easy to read although it often dealt with more serious issues. The Hourglass Factory was an exciting, fast-paced, and intriguing read that kept you guessing until the last page. Considering it was a debut novel, it was absolutely fantastic, and I eagerly look forward to what Lucy Ribchester will be writing next.

